Sourced objects




Chiara 
Original Edition 
Italy, 1969
Designed by Mario Bellini for FLOS


sourced for a private client



Celestia 
Originale Edition
Italy, 1981
Designed by Tobia Scarpa for FLOS


sourced for a commercial client







Pair of large opaline and copper ceiling fixtures

Original Edition 
Unknown origin



sourced for a private client








DS-1025 Terazza Sofa, set of two
Originale Edition
Switzerland, 1970s
Designed by Ubald Klug for de Sede


sourced for a commercial client








Teak, tubular brass, sheet brass, white paper ceiling light

Original Edition 
Italy, 1957



sourced for a commercial client







French galvanized iron garden chairs, set of six 
Original Edition 
France, 1900s



sourced for a private client






Metafora Coffee Table
Originale Edition
Italy, 1979
Designed by Lella & Massimo Vignelli for Martinelli Luce


sourced for a private client





Verspanntes Regal (bookcase)
Originale Edition
Germany, 1984
Designed by  Wolfgang Laubersheimer for Pentagon Group


sourced for a commercial client
MR Chair Rattan, set of six
Originale Edition
United States, 1927
Designed by Ludwig Mies van der Rohe for Knoll



sourced for a private client










Portfolio  -  this site is continuously updated



Nina Brøske Klette
ninaklette@gmail.com
Instagram

Architect (M.Arch) with experience in
transformation and extension of existing buildings. 
I’m driven by the challenge of creating meaningful spatial solutions through close collaboration with clients and colleagues. My work is guided by a deep interest in how architecture can evolve from what is already there.


Alongside my architectural practice, I have professional experience as a dealer of vintage and antique interior objects for both private and commercial clients. This parallel practice has refined my sensitivity to material qualities, craftsmanship, and the ongoing dialogue between past and present in both architecture and design.


I am drawn to projects that engage with the spatial and historical context of a place — uncovering new layers and possibilities within the existing fabric. My approach is guided by curiosity and a wish to create architecture that endures, through the resonance of space and material — that, at least, is my ambition. 





Education
Royal Danish Academy,  School of Architecture 


Cultural Heritage, Transformation and Conservation
(M.Arch)


Architecture and Culture
(B.Arch)





Skills

Rhinoceros 3D
AI renders
Autocad 
Photoshop
InDesgin
Lightroom
Illustrator
Enscape
Archicad
Revit




last updated        december 2025


Curriculum vitae 

2015 facade analysis 



The Royal Academy
Second semester

Assignment:
The second semester project started with an analysis and exploration of the facade through model making.