Sourced objects




Chiara 
Original Edition 
Italy, 1969
Designed by Mario Bellini for FLOS


sourced for a private client



Celestia 
Originale Edition
Italy, 1981
Designed by Tobia Scarpa for FLOS


sourced for a commercial client






Pair of large opaline and copper ceiling fixtures

Original Edition 
Unknown origin



sourced for a private client








DS-1025 Terazza Sofa, set of two
Originale Edition
Switzerland, 1970s
Designed by Ubald Klug for de Sede


sourced for a commercial client








Teak, tubular brass, sheet brass, white paper ceiling light

Original Edition 
Italy, 1957



sourced for a commercial client







French galvanized iron garden chairs, set of six 
Original Edition 
France, 1900s



sourced for a private client






Metafora Coffee Table
Originale Edition
Italy, 1979
Designed by Lella & Massimo Vignelli for Martinelli Luce


sourced for a private client







Verspanntes Regal (bookcase)
Originale Edition
Germany, 1984
Designed by  Wolfgang Laubersheimer for Pentagon Group


sourced for a commercial client
MR Chair Rattan, set of six
Originale Edition
United States, 1927
Designed by Ludwig Mies van der Rohe for Knoll



sourced for a private client






Hexagon cork lamp
Originale Edition
Germany, 1974
Designed by Ingo Maurer for Design M


sourced for a commercial client









Curriculum vitae 



Nina Brøske Klette
ninaklette@gmail.com
Instagram

Architect (M.Arch) with experience in
transformation and extension of existing buildings. 
I’m driven by the challenge of creating meaningful spatial solutions through close collaboration with clients and colleagues. My work is guided by a deep interest in how architecture can evolve from what is already there.


Alongside my architectural practice, I have professional experience as a dealer of vintage and antique interior objects for both private and commercial clients. This parallel practice has refined my sensitivity to material qualities, craftsmanship, and the ongoing dialogue between past and present in both architecture and design.


I am drawn to projects that engage with the spatial and historical context of a place — uncovering new layers and possibilities within the existing fabric. My approach is guided by curiosity and a wish to create architecture that endures, through the resonance of space and material — that, at least, is my ambition. 





Education
Royal Danish Academy,  School of Architecture 


Cultural Heritage, Transformation and Conservation
(M.Arch)


Architecture and Culture
(B.Arch)





Skills

Rhinoceros 3D
AI renders
Autocad 
Photoshop
InDesgin
Lightroom
Illustrator
Enscape
Archicad
Revit





1564 transformation

Apartment
Copenhagen
Assigment: Previously used as a private student collective, the project aims to transform the apartment into a family home for a single father and his daughter. It seeks to fulfill the client’s wish for contemporary spaces that balance monumental moments with minimalistic solutions, within a building that bears little trace of its original construction from 1892.


Architectural Intent: By redefining the spatial organization of the apartment, the aim is to create a more open and cohesive layout centered around the home’s social areas and in connection to the backyard.


Architectural Ambition: The ambition is to create a refined and enduring home that reflects the client’s vision while enhancing the apartment’s inherent spatial boundaries and qualities.






Architectural analysis 

Located right next to historic institutions such as Christiansborg, Glyptoteket, Tivoli, and the National Museum of Denmark, the apartment stands as part of the city’s dense late-19th-century urban fabric. The building was completed during a period of rapid industrial growth, when Copenhagen’s inner districts were shaped by the ideals of compactness, efficiency, and social order. Dating back to 1892, it belongs to the typology of the traditional Copenhagen apartment building — a brick structure organized around a central courtyard, reflecting the urban housing model that shaped the city’s expansion at the turn of the century.


The architecture is characteristic of its era: solid masonry façades, rhythmic window arrangements, and restrained ornamentation that balances modesty with craftsmanship. Facing the street, the building presents a formal, symmetrical elevation in red brick, while the courtyard façade is simpler and more utilitarian, opening toward light and air. This duality — between the representative street front and the intimate interior courtyard — has long defined the social and spatial logic of the city.


The building embodies the enduring qualities of Copenhagen’s historic housing — among them, rooms of generous height, deep window niches, and layers of high-quality materials. These inherent characteristics lay a strong foundation for the commissioned transformation, offering the potential to amplify the apartment’s spatial character while finding solutions that meet the client’s needs.






Spatial organisation 

The client commissioned a larger kitchen connected to the living room, forming an open-plan space. To accommodate this, the two largest rooms facing the backyard were merged into one continuous space, with the new kitchen positioned adjacent to an existing pantry, now used for dry storage and recycling. Previously, the kitchen had been located next to a small bathroom. These two rooms underwent the most extensive transformation, establishing a coherent and flow to the spatial layout. By aligning the corners of the new walls with the existing angled geometry, the floor plan now achieves a more natural circulation, connecting the living room, bathroom, back door, and daughter’s bedroom. The hallway that links these spaces now also functions as a laundry room. This reorganization allowed for the creation of a distinct and private wing for the daughter within the home.  The floors in the laundry room and the daughter’s bedroom were replaced with new oak mosaic parquet, matching the apartment’s original 1892 flooring.


On the opposite side of the open-plan space, the client commissioned an office and music room, as well as a larger bedroom. These rooms as well as every other room in the apartment was renovated, as the previous owners had not maintained the standard or character of the original interior. 








Concept
 
The new layout of the bathroom accommodates a comfortably sized shower niche, along with additional space for storage, sink, and a toilet. The client requested a monumental yet minimalist design, demanding a high level of precision. Although the nine distinct bathroom walls initially could disrupted the sense of balance and order, the careful composition of materials, fixtures, and spatial elements brought cohesion to the room, creating a tranquil and harmonious atmosphere.












1:50



Cohesive architectural elements 

The apartment’s nine doors once had mismatched handles, disrupting the visual continuity of the interior. Vintage Alvar Aalto handles with slotted screws were introduced, establishing a coherent element throughout the home. A reclaimed door for the bathroom was carefully restored and implemented, continuing the project’s focus on reuse and material integrity.
















A kitchen shaped by material and light 

The client commissioned a bespoke kitchen defined by a minimal and contemporary sensibility. Conceived as a precise composition of materials, the kitchen is formed in brushed aluminium and hot-rolled steel, its surfaces quiet and deliberate, allowing texture and reflection to play a subtle role in the space.

The subtle reflective qualities of the metal surfaces shape the atmosphere of the space, allowing light to register, and quietly amplify its presence.

A Calacatta marble worktop anchors the composition, its soft burgundy veining introducing warmth and variation against the cooler metallic finishes. This dialogue between stone and metal is echoed in the vintage ceiling lights, whose aged metal fittings quietly pick up the tones within the marble, creating a measured interplay of colour, material, and light.








Material memory

The interior is furnished with pre-loved objects as a conscious act of curation rather than decoration. With a timeless presence, each piece is selected for its material integrity and time-worn elegance, allowing age, wear, and craftsmanship to become part of the architectural narrative.

Doric stone drums function as bedside tables and paired with Italian brass table lamps, their surfaces bearing the quiet marks of time. The patina embedded within these objects lends depth to each room, introducing a tactile richness that is shaped through time and use.

Rather than striving for perfection, the interior embraces imperfection, allowing these objects to gain new meaning through their reintroduction into a different context, where layered histories merge into a coherent whole.






Garden layers

To evoke a calm and sensory atmosphere in the backyard, a copper water fountain spout, repurposed from a vintage defective garden light and inspired from french antique bec de fontaine, which is paired with a heavy antique granite trough, creating a tranquil focal point that attracts birds and pollinating insects.






Because the backyard receives limited natural sunlight, light-toned materials have been used to enhance brightness and texture. This includes a planter constructed from reclaimed travertine window sills combined with repurposed wood framing, creating a tactile and cohesive element that is repeated throughout the backyard.









Vegetation 

The exterior planting is mirrored indoors, thoughtfully arranged to strengthen the visual continuity between inside and outside. Shifting light and shadow across the interior surfaces further reinforce this connection.