Original Edition
Italy, 1969
Designed by Mario Bellini for FLOS
sourced for a private client
Originale Edition
Italy, 1981
Designed by Tobia Scarpa for FLOS
sourced for a commercial client
Pair of large opaline and copper ceiling fixtures
Original Edition
Unknown origin
sourced for a private client
Originale Edition
Switzerland, 1970s
Designed by Ubald Klug for de Sede
sourced for a commercial client
Teak, tubular brass, sheet brass, white paper ceiling light
Original Edition
Italy, 1957
sourced for a commercial client
French galvanized iron garden chairs, set of six
Original Edition
France, 1900s
sourced for a private client
Originale Edition
Italy, 1979
Designed by Lella & Massimo Vignelli for Martinelli Luce
sourced for a private client
Originale Edition
Germany, 1984
Designed by Wolfgang Laubersheimer for Pentagon Group
sourced for a commercial client
Originale Edition
United States, 1927
Designed by Ludwig Mies van der Rohe for Knoll
sourced for a private client
Originale Edition
Germany, 1974
Designed by Ingo Maurer for Design M
sourced for a commercial client
ninaklette@gmail.com
transformation and extension of existing buildings.
I’m driven by the challenge of creating meaningful spatial solutions through close collaboration with clients and colleagues. My work is guided by a deep interest in how architecture can evolve from what is already there.
Alongside my architectural practice, I have professional experience as a dealer of vintage and antique interior objects for both private and commercial clients. This parallel practice has refined my sensitivity to material qualities, craftsmanship, and the ongoing dialogue between past and present in both architecture and design.
I am drawn to projects that engage with the spatial and historical context of a place — uncovering new layers and possibilities within the existing fabric. My approach is guided by curiosity and a wish to create architecture that endures, through the resonance of space and material — that, at least, is my ambition.
Cultural Heritage, Transformation and Conservation
(M.Arch)
Architecture and Culture
(B.Arch)
Skills
Rhinoceros 3D
AI renders
Autocad
Photoshop
InDesgin
Lightroom
Illustrator
Enscape
Archicad
Revit
Fashion week
Copenhagen
Assignment:
Design and construction of a backdrop installation for a catwalk at Copenhagen Fashion Week, developed using leftover cotton fabric and pre-used wooden planks as the primary materials.
Intent:
The project investigates how surplus and pre-used materials can be reconfigured into a cohesive spatial installation. Through a simple construction logic—stretching fabric over a patterned substructure of wooden planks and nails—the surface gains depth and tactility. A uniform layer of white paint unifies the materials, allowing light and shadow to articulate the relief.
Ambition:
The ambition is to create an installation that balances material restraint with spatial impact. By working deliberately with texture, repetition, and light, the project seeks to support the fashion presentation while contributing a calm, tactile backdrop that enhances the overall scenographic experience without competing with it.
Design and construction of a backdrop installation for a catwalk at Copenhagen Fashion Week, developed using leftover cotton fabric and pre-used wooden planks as the primary materials.
Intent:
The project investigates how surplus and pre-used materials can be reconfigured into a cohesive spatial installation. Through a simple construction logic—stretching fabric over a patterned substructure of wooden planks and nails—the surface gains depth and tactility. A uniform layer of white paint unifies the materials, allowing light and shadow to articulate the relief.
Ambition:
The ambition is to create an installation that balances material restraint with spatial impact. By working deliberately with texture, repetition, and light, the project seeks to support the fashion presentation while contributing a calm, tactile backdrop that enhances the overall scenographic experience without competing with it.