Original Edition
Italy, 1969
Designed by Mario Bellini for FLOS
sourced for a private client
Originale Edition
Italy, 1981
Designed by Tobia Scarpa for FLOS
sourced for a commercial client
Pair of large opaline and copper ceiling fixtures
Original Edition
Unknown origin
sourced for a private client
Originale Edition
Switzerland, 1970s
Designed by Ubald Klug for de Sede
sourced for a commercial client
Teak, tubular brass, sheet brass, white paper ceiling light
Original Edition
Italy, 1957
sourced for a commercial client
Original Edition
France, 1900s
sourced for a private client
Originale Edition
Italy, 1979
Designed by Lella & Massimo Vignelli for Martinelli Luce
sourced for a private client
Originale Edition
Germany, 1984
Designed by Wolfgang Laubersheimer for Pentagon Group
sourced for a commercial client
Originale Edition
United States, 1927
Designed by Ludwig Mies van der Rohe for Knoll
sourced for a private client
ninaklette@gmail.com
transformation and extension of existing buildings.
I’m driven by the challenge of creating meaningful spatial solutions through close collaboration with clients and colleagues. My work is guided by a deep interest in how architecture can evolve from what is already there.
Alongside my architectural practice, I have professional experience as a dealer of vintage and antique interior objects for both private and commercial clients. This parallel practice has refined my sensitivity to material qualities, craftsmanship, and the ongoing dialogue between past and present in both architecture and design.
I am drawn to projects that engage with the spatial and historical context of a place — uncovering new layers and possibilities within the existing fabric. My approach is guided by curiosity and a wish to create architecture that endures, through the resonance of space and material — that, at least, is my ambition.
Cultural Heritage, Transformation and Conservation
(M.Arch)
Architecture and Culture
(B.Arch)
Skills
Rhinoceros 3D
AI renders
Autocad
Photoshop
InDesgin
Lightroom
Illustrator
Enscape
Archicad
Revit
The Royal Academy
Second semester
Assignment:
The final assignment of the second semester was to design and construct a 1:10 scale model exploring the corner as a spatial phenomenon. The project proposed that a corner should never be perceived as an end, but rather as part of a continuous spatial perception, where one corner ends and another begins.
“Sometimes what you think is an end is only a beginning.”
Agatha Christie
The final assignment of the second semester was to design and construct a 1:10 scale model exploring the corner as a spatial phenomenon. The project proposed that a corner should never be perceived as an end, but rather as part of a continuous spatial perception, where one corner ends and another begins.
“Sometimes what you think is an end is only a beginning.”
Agatha Christie
Architectural analysis
Contemporary buildings, some with towering uninterrupted verticality, can be perceived as aliening in regards to the human body. And with a materiality reflecting the passersby’s motions through their bland glass exteriors, tend to present their unyielding surfaces to the eye without conveying their material essence or age. The ideal spatial experience, of buildings of this character, might even be unreachable for its visitors.
The project endlessness explores, through a physical model, the boundary between the presence of the human scale and being scaleless.
The shape of the model was predefined as a corner, and with a corner, there are ends. By always introducing a continuation, trying to dissolve these endings, the ideal was to create a perception of endlessness.