Sourced objects




Chiara 
Original Edition 
Italy, 1969
Designed by Mario Bellini for FLOS


sourced for a private client



Celestia 
Originale Edition
Italy, 1981
Designed by Tobia Scarpa for FLOS


sourced for a commercial client






Pair of large opaline and copper ceiling fixtures

Original Edition 
Unknown origin



sourced for a private client








DS-1025 Terazza Sofa, set of two
Originale Edition
Switzerland, 1970s
Designed by Ubald Klug for de Sede


sourced for a commercial client








Teak, tubular brass, sheet brass, white paper ceiling light

Original Edition 
Italy, 1957



sourced for a commercial client







French galvanized iron garden chairs, set of six 
Original Edition 
France, 1900s



sourced for a private client






Metafora Coffee Table
Originale Edition
Italy, 1979
Designed by Lella & Massimo Vignelli for Martinelli Luce


sourced for a private client







Verspanntes Regal (bookcase)
Originale Edition
Germany, 1984
Designed by  Wolfgang Laubersheimer for Pentagon Group


sourced for a commercial client
MR Chair Rattan, set of six
Originale Edition
United States, 1927
Designed by Ludwig Mies van der Rohe for Knoll



sourced for a private client






Hexagon cork lamp
Originale Edition
Germany, 1974
Designed by Ingo Maurer for Design M


sourced for a commercial client









Curriculum vitae 



Nina Brøske Klette
ninaklette@gmail.com
Instagram

Architect (M.Arch) with experience in
transformation and extension of existing buildings. 
I’m driven by the challenge of creating meaningful spatial solutions through close collaboration with clients and colleagues. My work is guided by a deep interest in how architecture can evolve from what is already there.


Alongside my architectural practice, I have professional experience as a dealer of vintage and antique interior objects for both private and commercial clients. This parallel practice has refined my sensitivity to material qualities, craftsmanship, and the ongoing dialogue between past and present in both architecture and design.


I am drawn to projects that engage with the spatial and historical context of a place — uncovering new layers and possibilities within the existing fabric. My approach is guided by curiosity and a wish to create architecture that endures, through the resonance of space and material — that, at least, is my ambition. 





Education
Royal Danish Academy,  School of Architecture 


Cultural Heritage, Transformation and Conservation
(M.Arch)


Architecture and Culture
(B.Arch)





Skills

Rhinoceros 3D
AI renders
Autocad 
Photoshop
InDesgin
Lightroom
Illustrator
Enscape
Archicad
Revit





2017 installation 

Fashion week
Copenhagen
Assignment:
Source antique, vintage and one-of-a-kind objects for private and commercial clients.  


Intent:
Help clients 



Ambition:
The ambition is to create an installation that balances material restraint with spatial impact. By working deliberately with texture, repetition, and light, the project seeks to support the fashion presentation while contributing a calm, tactile backdrop that enhances the overall scenographic experience without competing with it.






Image Credit 
Reform
Vilbert
Original Edition
Unknown origin, 1993
Designed by Verner Panton for IKEA


sourced for a commercial client





Image Credit
Planque



Image Credit 
Goldwood by Boris
Unknown design
Original Edition
1993
Designed by Verner Panton for IKEA


sourced for a commercial client




commercial clienta set of unique chairs